Wednesday, March 11, 2026

My Marble






 My Marble


kay Hassan
 


In the fevered haze of my fourth spring, I dropped to my knees upon the living flesh of the village playground—a sacred scar of earth cupped between the gnarled fingers of oaks older than God’s wrath. Their twisted limbs clawed at the sky like the blackened ribs of some fallen titan, whispering in a language of rustling leaves and creaking bone, a tongue as ancient as the slow, grinding teeth of the earth.

The trees stood as crooked kings, their bark etched with the scars of forgotten storms, their roots sunk deep into the molten dark where the world’s first fires still smoldered. Their branches sagged beneath the weight of centuries, heavy with the ghosts of summers past, their leaves trembling with secrets that would outlast the stars.

Around them, the playground sprawled—a kingdom of jagged, sun-warmed stones, their edges long since blunted by the savage hands of children who clambered over them like conquerors. The stones gleamed, slick with the sweat of a thousand afternoons, their surfaces worn smooth by the relentless tide of small, wild bodies. Laughter rang sharp as a blade against the silence, a bright and fleeting rebellion against the slow, inevitable crush of time.
The air was thick with the scent of crushed thyme and baked dust, a perfume that clung to the skin like a baptism, like a brand. It filled my lungs, hot and sweet, and for a moment, I believed—truly believed—that the world was unshakable, that the oaks would never fall, that the stones would never cool, that the laughter would never fade.
But time, patient and pitiless, was already moving beneath us, carving its name into the bones of the earth.
 
 
 
 
 
My small fingers, dusted with the fine, golden silt of the mountain, cradled marbles that shimmered like fragments of a forgotten cosmos—ruby, sapphire, emerald—each a tiny, self-contained universe, glinting with the promise of infinite wonder. They caught the sunlight in prisms of color, scattering rainbows across the earth, as if the heavens themselves had spilled their treasures into our hands. Among them, one reigned supreme: a blue and gold marble, its swirling depths a labyrinth of liquid light, a miniature galaxy spiralling within its glassy heart. It was no mere toy, but a talisman, a relic of a world trembling on the edge of fracture. Its surface held mysteries only my child’s heart could fathom—secrets of joy, of hope, of a father whose face was already fading into the haze of memory. That marble was my beacon, a radiant ember glowing against the faint, relentless murmur of war, a sound that slithered like smoke over the hills, distant yet inescapable, a shadow creeping closer with each passing day.

The air pulsed with the laughter of my friends, our voices weaving a fragile chorus of innocence, as if our games could ward off the encroaching darkness. We gathered in the playground each dawn, a band of small warriors armed with nothing but marbles and dreams, our bare feet kissing the earth, our hearts alight with the magic of childhood. We flicked our marbles with fervent reverence, each clink a vow to preserve this fleeting paradise, each roll a silent prayer that our village—our laughter, our home—might stand eternal against the tide of the world’s unraveling. The rules of our game were sacred, unwritten laws passed down through generations: a flick of the thumb, a steady hand, a whispered wish for victory. The marbles danced across the dirt, carving paths like comets, their collisions echoing with the purity of our joy.

Our village was a living hymn, its rhythms woven into the very bones of the earth. The playground was its beating heart, a sanctuary where children chased dreams under the watchful gaze of elders who sat beneath the broad, sheltering arms of oak trees, their bark etched with the wisdom of ages, their leaves whispering tales of seasons long past. The elders sipped tea from chipped porcelain cups, their voices low and melodic, recounting stories of harvests and heroes, of love and loss, their words blending with the hum of cicadas and the distant bleating of goats. Mothers wove baskets in the dappled shade, their fingers deft as they braided reeds into patterns as intricate as the lives they nurtured. Their songs drifted through the air like the scent of blooming jasmine, soft and sweet, threading through the afternoon like golden needles, stitching our days together with love.

The goats, grazing on the sun-drenched hills, added their own chorus, their bells tinkling like a gentle reminder of the world’s quiet beauty. The hills themselves were a tapestry of life—wildflowers bursting in reckless color, rocks worn smooth by centuries of wind and rain, and paths carved by the footsteps of those who had walked this land before us. Every evening, as the sun dipped low, painting the sky in hues of amber and rose, I would sit at the feet of our village storyteller, a man whose presence seemed to anchor the earth itself. His name was Elias, though we called him Baba, a title of reverence that carried the weight of a grandfather’s love. His voice was a low, resonant river, carrying tales of prophets and poets, of courage and sacrifice, of gods and mortals who wrestled with fate under the same stars that watched over us. His eyes, dark as the night sky and just as infinite, seemed to hold the weight of centuries, and his words planted seeds of wonder in my soul, roots that would grow through the years, anchoring me even as the world crumbled.

That blue and gold marble was my treasure, a gift from my father before he vanished into the war’s hungry maw. He had pressed it into my palm one evening, his hands rough from work but gentle as they closed my fingers around it. “Keep this, my son,” he had said, his voice thick with a sadness I was too young to understand. “It’s a piece of the sky, a piece of me. Hold it tight, and I’ll always be with you.” I was three then, my memories of him fragmented—a warm laugh, a shadow against the firelight, the scent of tobacco and cedar on his clothes. At night, I clutched the marble in my palm, its cool weight a silent promise: He will return. The world will hold. Each dawn, I raced to the playground, my bare feet pounding the earth, my heart alight with the magic of rolling that marble, watching it spin and dance like a tiny star cupped in my hands. Its surface seemed to pulse with life, as if it carried the heartbeat of the mountain, the laughter of our games, the love of a father I barely remembered.
I dreamed of the marble’s journeys, imagining it held the spirit of our village—the songs of the mothers, the wisdom of the elders, the wild, untamed joy of our games. It was more than glass—it was my anchor, my hope, my quiet defiance against the whispers of war that slithered through our village like a cold, unseen wind. The other children had their treasures, too—marbles of green and amber, of cloudy white and fiery red—but none shone like mine, none held the weight of a heart’s fragile trust. We traded stories of our marbles’ powers, spinning wild tales of magic: mine could summon storms, I boasted, or guide lost souls home. Theirs could heal wounds or speak to the stars. Our voices rose in defiant harmony above the distant rumble—a sound we did not yet understand, a sound that grew louder with each passing day, like the heartbeat of a beast stirring in its sleep.

But childhood is a fleeting spark, a flame that burns bright but cannot withstand the storm.
The sky shattered with a howl that clawed at the soul of the earth, as if the heavens themselves had torn open to unleash a vengeful dirge. Shells screamed through the air, divine wrath made manifest, scattering death’s jagged teeth across our sanctuary. The playground dissolved into chaos—cries piercing the air like shattered glass, the earth trembling as if grieving its own destruction, the acrid stench of smoke thickening until it choked the very breath from our lungs. My heart stopped. My breath caught. My eyes locked onto my marble—my blue and gold star—slipping away in the churned dirt, its glow a desperate plea to be remembered amidst the ruin.

Through the tempest of screams and ash, Baba’s voice rose, deep as the roots of our mountain, eternal as the sky he seemed to command. “Run, my children, run!” he roared, his words a sacred hymn woven from love and terror, a beacon to pull us from the jaws of ruin. His figure stood tall against the chaos, his white robes stained with dust, his arms outstretched as if he could hold back the tide of destruction with the strength of his will alone.

My friends fled, their laughter drowned in the chaos, their small figures vanishing into the haze like ghosts scattered by the wind. But I stood frozen, my soul tethered to that tiny orb, my heart pounding as if it might burst from my chest. “My marble!” I sobbed, my voice a broken wail, raw with a grief too vast for my small frame. Baba’s eyes, heavy with the sorrow of a thousand lost homes, found mine, their warmth a fleeting shelter in the storm. “Run, my boy, run!” he pleaded, his voice a fire that burned through the fog of my fear, urging my legs to move.
“My marble!” I cried, tears scalding my cheeks, my hands clawing at the earth as if I could reclaim my shattered world. The dirt was warm beneath my fingers, but it was no longer the earth of my playground—it was a battlefield, a graveyard, a wound torn open in the heart of my home.
“Run, child, run! Soldiers are here—death is upon us!” he thundered, his voice a decree that shook the ground beneath my trembling feet, a command that carried the weight of all the stories he had ever told, all the lives he had seen fade.
“My marble!” I wailed, my heart tearing itself apart, each sob a wound for the loss of that small, radiant universe. It was not just a marble—it was my father’s promise, my mother’s embrace, the laughter of my friends, the soul of my village, slipping through my fingers like sand.
His rough hand, strong as the stones of our village, seized mine, yanking me from the dirt as my legs faltered. I stumbled after him, my head twisting back, my eyes locked on that marble—now just a flicker in the chaos, swallowed by the earth we’d once called ours. The soldiers stormed through, their boots pounding like war drums, their shouts a cruel requiem that drowned our cries. Their uniforms were the color of ash, their faces obscured by helmets that gleamed like the eyes of predators. They moved with a merciless precision, their rifles spitting fire that devoured our homes, our barns, our groves. The thatched roofs curled into ash, the oak trees groaned as flames licked their ancient limbs, and the mountain itself seemed to shudder under the weight of its own destruction.

We fled to the hills, our feet slipping on loose stones, our breaths shallow as we climbed higher, seeking refuge in the shadow of jagged rocks that had stood sentinel over our valley for millennia. From our hiding place, we watched our village burn. The smoke rose like a mournful prayer, curling toward a sky that offered no mercy, its gray tendrils carrying the scent of charred wood and lost dreams. The playground was gone, reduced to a scar of blackened earth, its laughter silenced, its magic extinguished. Baba held me close, his arms a fortress against the world’s collapse, but nothing could shield me from the ache of that lost marble—a piece of my soul left behind in the dust, a fragment of light buried in the ruins.
The years that followed were a mosaic of survival—a blur of new lands, new faces, new scars. We wandered through caves s where the air was thick with despair, where the faces of refugees mirrored our own grief. We crossed borders under cover of night, our footsteps muffled by fear, our hearts heavy with the weight of what we had left behind. I grew up in cities that felt like labyrinths, their concrete walls cold and unforgiving, their skies gray with the smoke of industry rather than war. But no matter where we went, the memory of that marble clung to me, a splinter in my heart that no amount of time could dislodge. I could still feel its cool weight in my palm, hear the soft clink of glass against earth, see the way it caught the sunlight and held it, as if it could keep the world whole.

I carried Baba’s stories with me, too, though he did not survive the journey. He had given his strength to us, to the children he led from the wreckage, and when his heart gave out under the weight of too many losses, I felt the world grow dimmer. His voice lived on in me, though, in the tales I told myself to keep the darkness at bay—tales of a village where the earth was warm, where marbles were stars, where love was stronger than war. I grew into a man, my hands hardened by labor, my face lined by the years, but the child within me never stopped searching for that marble, never stopped believing it held the key to a world I could not reclaim.

Sixty years later, I stood in the cold, sterile halls of a London archive, my hands—now etched with the lines of age, knuckles swollen from decades of toil—trembling as I turned pages that held the wreckage of our past. The archive was a mausoleum of memory, its shelves lined with ledgers and files, each one a tombstone for a life, a home, a village. The records were relentless: names of the fallen, my neighbors, my kin; counts of homes reduced to cinders; acres of groves turned to soot; livestock slaughtered or scattered; lives erased with the cold precision of ink on paper. Each line was a scar, a testament to a world torn apart, a wound that had never fully healed.

I searched for hours, my eyes straining under the weight of memory, my fingers tracing names and dates as if they could summon the faces I had lost. I searched for my father, though I knew he was gone—his name absent from every list, his fate swallowed by the war’s insatiable hunger. I searched for Baba, for the mothers who sang, for the friends whose laughter once filled the air. I searched for our playground, our oak  groves, our mountain, hoping for a trace of the life we had loved. But the records were silent about the things that mattered most—no mention of the scent of jasmine, the clink of marbles, the warmth of the earth beneath our feet. Nowhere, in all those heartless, meticulous pages, was there a whisper of my marble—that small, luminous shard of my heart, abandoned in the ruins of a playground that still haunted my dreams.

I closed the final ledger, my hands heavy with the weight of absence, and stepped out into the London rain. The city was alive with noise—cars humming, voices chattering, the pulse of a world that had moved on—but I felt the silence of my village within me, a void that no archive could fill. I walked through streets lined with strangers, their faces blurred by the rain, and I saw my marble in every glint of light—on wet cobblestones, in shop windows, in the eyes of children who would never know the weight of war. It was everywhere and nowhere, a ghost that followed me across decades and continents.
And sometimes, in the quietest hours of the night, when the world is still and the stars burn cold above, I swear I hear it—the soft, ghostly clink of glass against earth, rolling through time, forever out of reach. It is the sound of my childhood, my village, my father’s promise, echoing in the chambers of my heart. It is the sound of a marble that held a universe, a marble that was my world, lost but never forgotten, a light that burns eternal in the darkness of memory.

Monday, February 02, 2026

My song

 


https://www.youtube.com/watch?v=H9NAuCFOpPc


My Heart is Yours

K.H


Beneath the silver of the morning sky

I see your face, and time drifts by

The wind that whispers through the quiet trees

Carries your name, brings me to my knees


The flowers bend where your footsteps fall

our old river hums, he knows as sister

Without your light, the world feels dim

With you, each day begins its hymn


I walk the fields where shadows play

And think of you at close of day

The sun may set, the night may call

But your soft voice outshines it all


The stars, like lanterns, pierce the night

Yet none can match your gentle light

The moon may wander in the sky

But it cannot hold your gaze, my sigh


I hear the birds sing through the rain

They sing of love, they sing of pain

Yet every note returns to you

A melody both fierce and true


Through storms that tear the land apart

Your warmth remains within my heart

Through endless roads and drifting sands

I feel your touch in unseen hands


And if the mountains crumble low

And rivers cease their endless flow

I’d find you in the silent air

And speak my heart, my soul laid bare


So take my days, my nights, my all

My whispered dreams, my every call

For life without you holds no light

My heart is yours, both day and night

A Short Trip to History

 The Pageant of Victors

K.H

History calls them Great
because the dead do not vote on adjectives.
Alexander stitched the world with spears,
called it unity,
left behind a map scored in Macedonian breath,
cities speaking his name like a fever.
He burned Persepolis,
then staged weddings at Susa—
blood and marriage fused into empire.
Empire, he said,
as if the word were not already a wound.
He carved his name across the earth,
as many cities bore his name:
Alexandrias rose like echoes of his shadow,
from the Nile to the Oxus, from Arachosia to Issus,
even a city for Bucephalus by the Hydaspes.
Most have crumbled, swallowed by time or desert,
yet Alexandria in Egypt stands, a living testament,
a heartbeat of stone and salt,
all others whispers in sand and memory.
Caesar crossed a river
and discovered destiny was shallow enough to wade.
He slaughtered the Helvetii,
and cut down villages that dared resist.
Rome crowned itself eternal,
built roads so legions could arrive faster—
all roads leading not to Rome
but through bodies—
and laws so suffering could be administered politely.
The empire fell,
but only after teaching the world
how to kneel efficiently.

A man, if any , called himself a prophet,
and his followers marched armies in the name of God,
claiming angels flying above them:
from Mecca to Medina,
from the Arabian desert to Syria.
Cities fell; tribes resisted; and battle devoured them.
They led and commanded,
forcing treaties with the sword,
seizing property, taking women,
fighting over f virgins
turning lives into spoils of conquest.

Caliphs after that vague man—
extended this terror everywhere;
across Persia, Levant, Egypt, and North Africa,
punishing rebels, silencing dissent,
enslaving populations, stripping lands,
belief and devastation entwined like blood and sand.
The Umayyads and Abbasids followed,
carrying on campaigns of plunder and death,
ensuring that obedience was bought with fear,
and empire measured itself in suffering.
The Mongol khans rode like a storm
that mistook annihilation for order,
leaving the streets silent,
the earth swallowing countless souls.
Cities disappeared so completely
even memory learned restraint.
Empire here was speed—
history rewritten before the feather
could finish its stroke.
Napoleon measured Europe
with cannons and calendars.
He gave us reason marching in formation,
the Enlightenment wearing boots.
He crushed revolts in Spain and Haiti,
dragging liberty in bloodied chains
Liberty followed him—
dragged, not chosen.
He lost at Waterloo,
but victory had already drowned millions
long before the rain.
The British Empire never shouted.
It sipped tea while continents rearranged themselves.
It starved Bengal,
torched villages,
and called conquest commerce,
plunder administration,
famine mismanagement.
An empire so vast
the sun never set—
only the people.
Spain came with the cross and the sword,
and pretended not to notice
which one did the real converting.
It enslaved, murdered, and baptized by fire;
gold sailed west;
ghosts stayed behind.
Empire learned to pray
after the work was done.
Later the Ottomans—
each promised divine order,
each punished dissenters, rebels, and minorities,
each delivered graves drawn with careful angles.
The Persians, the Qing, the Habsburgs—
each promised order,
each massacred rebels, minorities, dissenters,
each delivered graves drawn with careful angles.
And then came the moderns,
who no longer needed crowns.
They invented ideology.
They named slaughter progress,
bombs deterrence,
civilians collateral,
borders security.
Empire without emperors,
invasion without footprints,
wars declared in conference rooms
while villages learned new definitions of silence.
Hitler marched with certainty,
painting Europe in ash and flame,
measuring worth by blood and lineage,
industrializing death at Auschwitz, Treblinka, and Bergen-Belsen.
Millions perished,
and yet monuments were built,
names etched into history books
as if the world could admire
the efficiency of atrocity.
Stalin walked in shadow and frost,
his terror bureaucratic,
ordering famine, purges, and gulags,
so that the soul itself learned to fear its own heartbeat.
Millions vanished—
skeletons of obedience counted in numbers,
history reduced to metrics,
memory shivering in silence.
Mao sent the Red Guards
to burn books, temples, and villages,
to hammer the past into dust,
and yet call it revolution.
The Cultural Revolution devoured millions,
while ideology became the new sacrament of suffering.
The atomic age dawned
and with it Hiroshima and Nagasaki,
cities obliterated in the name of deterrence,
children counting to zero in the ruins,
the sky itself scarred with our capacity for annihilation.
History presents this as a procession—
dates, treaties, portraits in museums—
a serious face painted on a carnival of blood.
But look closer:
it is a farce rehearsed endlessly,
the same play with new costumes,
the same lie spoken in different accents.
What did we pay?
We paid in bones used as foundations.
In languages that survived only as lullabies.
In mothers who learned geography
by counting sons who never returned.
In cities renamed so often
they forgot who they were.
In children taught to salute flags
before they learned to question gods.
We paid with the slow erosion of mercy,
with the normalization of cages,
with borders drawn like scars
and defended as if they were sacred texts.
And still, the conquerors are remembered,
their statues cleaned,
their invasions summarized as chapters.
The dead remain footnotes,
anonymous, obedient even in memory.
Perhaps the true history
is not the rise and fall of empires,
but the endless patience of humanity—
how much suffering it can absorb
before calling it normal.
Perhaps progress is not forward motion,
but repetition refined.
And perhaps the final empire
will not fall to rebellion or decay,
but to a simple, unbearable question
asked too late:
Was any of this worth
the cost of being human?

Friday, January 02, 2026

In Musei Vaticani


In Musei Vaticani


 

Docent of the Living Stone







Kay Hassan


Docent of the Living Stone


He stood no taller than a tapestry’s rolled edge,

A little man with a voice, soft and rustling pledge,

Had the cadence of ancient stones and liturgical decree—

A Latin accent, worn and warm, like Tiber’s silted sea,

flavus Tiberis, yellowed on the tongue.

Don Quixote in a docent’s coat, his spectacles his shield,

To him each marble god and saint a living, breathing field.

Not just the “man” or “time,”  he’d paint the very air they knew,

The fortress of lores bursts never,

 Under the burden of memories.

The world emerged with the brushstroke, and chisel drew.

He stopped beneath the vault where cosmic fingers almost meet.

A pause—my daughter murmurs, breath asking for retreat.

“Il Cielo di Sistina,” whispered he from his seat.

“The scaffold’s groan was in his bones, the plaster fresh and wet,

The Pope’s impatience, a daily fret.

He saw not saints, but farmers’ backs, the prophets’ fiery doubt,

The genesis of anguish as the light was blotted out.

The blue is not just heaven’s hue—it’s Roman twilight, deep,

When a tired man has promises to keep.”

Then to the Laocoön, that whirl of stone and pain.

He reads in Virgil—Quidquid id est, timeo Danaos et dona ferentis.

“Behold the priest, the serpent’s coil, the visionary’s bane.

He was found ’neath the emperor’s own vine,

Not in a scholar’s book, but earth’s dark, twisting line.

Feel the digging—in a year! The mud, the shout,

The Renaissance holding its breath, to see such fury out.

Not myth alone—the warning tightens in the stone,

When seeing clearly costs more than thrones will own.”

He waved at Apollo Belvedere, so cold and grand.

“They call him perfect. But you see, he does not understand

The human foot that carved him, calloused, in a sunlit shop,

The wine-skin shared at noon, the mallet’s steady drop.

This grace was born from sweat and dust and ordinary bread,

From an artist dreaming of a god, but thinking of his shed.

The beauty’s in the making, not the marble’s icy face—

The god is in the chase.”

In the Stanza della Segnatura, where philosophers stand,

He said, “This Raphael, a gentle man, with a turbulent land.

Plato points up, Aristotle points out—the great debate!

But see the mortar stains on the builder’s slate?

The wars outside the window, the Pope who needs a wall,

The artist balancing ideals, while answering a call.

He painted peace while hearing drums. That tension in the design

Is the truest, brightest, most human line.”

At last, before the Transfiguration, stark and split in two,

The chaos down below, the glory breaking through.

“They say it shows two stories. No. It shows one single day.

The faith we dream on mountaintops, the doubt we kneel to pray.

See the boy’s possessed eyes? The mother’s ragged shawl?

That’s the world the artists lived in, hoping God would call.

The painting’s not just light and dark; it’s the cry they had to bear

To make the divine apparent in our desperate, human air.”

And then our tour was ended. The vast halls grew still.

The workshop’s din and thirst clung to us, against our will.

The human ache that sculpted god, the blessing and the cursed.

A little man, in grave and kind Cervantic way,

Fought windmills of oblivion, and saved the dying day.

The End 

 * Aenied 2: 45-50)








On Portrait of a Vatican Docent


This poem rooted in my visit to the Musei Vaticani, In fact it is my expression on the  life of docent in 

the Vatican Museums, a man who is far more than a guide. He is a translator of souls, a 

bridge across centuries. He is physically unassuming—"a little man"—with a voice like ancient 

stones and the yellow Tiber River. But in his worn docent's coat and spectacles, he is a Don 

Quixote, tilting at the windmills of forgetfulness and superficial viewing.

His magic lies not in reciting dates, but in resurrecting the living world that created the art

For him, every masterpiece is a door, and he holds the key to the bustling, doubt-filled, sweat-

and-clay human reality behind it.



Here is his daily journey, and the story he tells:

  • In the Sistine Chapel: He doesn't see static saints. He feels Michelangelo's aching back on the scaffold, the damp plaster, the impatient Pope. He sees the Roman twilight in the blue of the ceiling and translates the sublime into the exhausted resolve of "a tired man [who] has promises to keep.


  • Before the Laocoön: The statue is not a myth. It is a rediscovered scream from the earth. He makes you feel the mud, the shout of discovery, the Renaissance collectively gasping as this frozen terror is hauled from the ground. The warning of the Trojan priest becomes immediate: "When seeing clearly costs more than thrones will own."


  • Facing the Apollo Belvedere: While others see cold, perfect divinity, he sees the calloused hands of the sculptor. He points to the wine-skin, the mallet's drop, the dust of the workshop. The god's beauty is born from human sweat and ordinary bread; "the god is in the chase."


  • In Raphael's Rooms: He reveals the tension. As Raphael paints the lofty "School of Athens," the docent shows us the mortar stains and hears the war drums outside. The perfect harmony of the fresco is made more profound by the "turbulent land" it was created in. The true genius is in that balance.


  • At the Transfiguration: He dismisses the simple two-story interpretation. For him, Raphael’s final masterpiece is the single, heartbreaking truth of the human condition: the split between divine hope and earthly desperation. The possessed boy and the pleading mother are as real as the radiant Christ above; faith and doubt are two halves of one agonizing cry.


My tour ended, but his did not. His lesson lingers. He has fought his Quixotic battle and won. He has replaced marble and pigment with flesh, doubt, and genius. He leaves you not with a catalogue of art, but with the "workshop's din and thirst," the "human ache that sculpted god."


His story is this: He is a keeper of the flame. In a place that can feel like a mausoleum of overpowering grandeur, he is the humble scholar who restores the human heartbeat to the heart of the divine. He doesn't just describe art; he performs a sacred act of resurrection, ensuring that the glory of the Vatican museum  remains forever entwined with the grime, vision, and fragile brilliance of the people who built it.





Friday, October 31, 2025

The Filtered Land

 K.Hassan


I. The Protocol of Silence


Cautious, the avatars negotiate the feed,

Tracing the outlines of a consented gloom.

This is the new doctrine: the blessing of nothing.

The screen’s blue glow is the new total night.

And the dry stone of a posted heart

Gives no sound of water.

Only, there is this persistent hum,

This low-frequency data of the soul,

And I will show you fear in a curated scroll.


II. A Ritual of Glass

‘What is that image?’

A flicker on the glass.

‘What is that image now? 

What is the algorithm showing?’

Nothing again nothing.

‘Do you see nothing? Hear nothing? Recall

Any password, any pin?’

I recall

A glitch, a pixelated stare.

‘Is there anything in your head at all?’

But

O the shimmer of a deep-faked smile—

It’s so convincing

So benign.

‘What shall be uploaded now? What shall be done?’

‘I will broadcast this stillness, and walk the stream

With my metrics down, just so. What shall we stream tomorrow?

What shall we ever stream?’

The scheduled post at ten.

And if the signal fails, the backup saved in the cloud.

And we shall perform a ritual of glass,

Pressing our bright, tired eyes against the pane.


III. The Network's Sermon


On the shores of a dead server farm.

I can connect

Only signal to noise.

The weak encryption of a trembling hand.

My people, quiet people who expect

No notification.

chan la la

Then the system log echoed:

DA

Data: what have we saved?

My friend, a current jolting the core,

The terrible permission of a single granted right

Which a lifetime of privacy settings can never revoke

By this record, this entry only, we have been indexed.

Given. Scraped. Controlled.

Error. Error. Error.


Saturday, October 04, 2025

Chorus of the Shattered Continent

 





 K. Hassan


I saw with my own eyes invaders killing  all my folks 



I

YOU

Missing the thawless sky,

among arcades of treaties and clauses,

Europe dreams in the syntax of tribunals—

where scrolls of jurisprudence

flutter like moulting feathers of the Sibyl.

She counts her decimals of carbon,

her quotas of compassion,

her migrants queued like shadows in vestibules,

chanting in Babel’s intercalated vowels.


The cities rehearse their conscience:

paper lanterns in Strasbourg,

green banners braided in parliaments,

the ritual of penance without altar.

Yet beneath, in the catacomb of armouries,

the rust of forgotten arsenals gnaws.

Drones whine in the Eastern mist—

but the budget line protests: too dear,

too dear the iron birds,

let the accountants weigh the sky!


In the halls of forgotten forges,

where Hephaestus once hammered shields

for heroes bound to Ilium’s walls,

now clerks inscribe ledgers of restraint,

measuring the ore against the edict,

the anvil silenced by decrees of thrift.

The Cyclopes, idle in their caves,

watch as the continent barters its thunderbolts

for garlands of recycled laurel.


II


O Europa, abducted thrice—

once by the Bull of Cretan shores,

once by the Market’s golden yoke,

once by the Law that bound your wrists with red tape—

what oracle do you serve now?

In Berlin a minister stammers,

petitioning the robed Areopagus:

May we lift the sword, or must we bow

until the invader waters his horse in the Spree?

The statute’s labyrinth has no thread,

only footnotes devouring footnotes,

a Minotaur of jurisprudence feeding

on the flesh of swift decision.


Meanwhile, in Albion’s mist-shrouded isles,

engineers dream of counter-swarms,

machines to blind the locust-drone,

Ariadne’s web spun from silicon threads

to ensnare the winged harbingers of Scythia.

Yet the treasurers close their ledgers—

Too costly, too costly,

while iron tides advance from the steppes,

and the ghosts of Agincourt whisper

of arrows unloosed in timely hour.


The Thames murmurs elegies of empire,

where once dreadnoughts cleaved the waves,

now committees deliberate on protocols,

parsing the syntax of retaliation

as if war were a symposium in Plato’s cave,

shadows dancing on walls of parchment.


In the tabloids' tawdry theatre,

Harry's nuptials unravel like a frayed coronet,

debated in the pub's dim glow: "He's not royal,

not anymore, exiled to the Pacific's palm-fringed exile,

real Windsor blood diluted in celebrity's chalice."

The barmaid shrugs, pouring pints of forgetfulness,

while patrons parse the pedigree of princes,

hung up on headlines, not the harbingers at the gate.


III


O readers of treaties,

disciples of benevolence,

have you not seen how swiftly

the Furies exchange their masks?

Mercy becomes paralysis,

rights calcify into fetters,

and while the orators debate definitions,

the frontier smoulders in silence.


Not cruelty, but apathy breeds the beasts.

Not hatred, but hesitation opens the gate.

Already the chorus of extremity rehearses—

they warm their throats in dark taverns,

they measure the silence of hesitant fathers.

The pendulum swings back to bronze,

to the age of Achilles’ wrath,

where pity yields to the spear’s imperative.


In the shadow of the Acropolis,

where once the Erinyes were appeased

by Athena’s olive branch,

now the olive withers in bureaucratic frost,

and the Eumenides stir anew,

their serpents coiling around neglected altars.

The continent, once cradle of logos,

now ensnared in its own dialectic,

debates the essence of defence

while the barbarians polish their greaves.


IV


There is no scapegoat in this wasteland,

only a mirror:

Europa gazing upon herself,

her reflection fractured

between compassion and survival,

between symposium and shield.


The rivers murmur:

choose quickly,

or be chosen by those who do not choose.


And the gods, grown tired of counsel,

withdraw into their mute constellations,

while the continent lingers,

caught between tribunal and tempest,

green banners wilting in the ash-wind,

armouries locked,

and the invaders already rehearsing

the march upon her sleep.


The Rhine, laden with memories of Caesars,

flows sluggish with the silt of resolutions,

its bridges arched like unanswered questions.

In Brussels, the labyrinthine corridors

echo with the footfalls of envoys,

bearing missives of measured equity,

while the Carpathians tremble

under the weight of unspoken auguries.


In the council chambers of Paris,

uncertainty uncoils like the Seine's serpentine bends,

ministers murmur in the mist of indecision:

"Shall we arm the horizon, or audit the alliance?"

The Eiffel Tower, iron sentinel, sways in the wind of whispers,

while the croissants crumble in cafes of conjecture,

patrons debating the diplomacy of doubt,

their espresso cooling as the eastern clouds gather.


V


Recall the shades of Marathon and Salamis,

where the polis armed its oarsmen

against the Persian gale.

Now, in the agora of unified markets,

the hoplites are demobilized,

their phalanx dissolved into quotas,

their spears traded for scrolls of accord.

The Delphic oracle, once cryptic in smoke,

now speaks in spreadsheets and summits,

prophesying peace through parity,

yet the Pythia’s voice cracks

under the drone of approaching swarms.


O Themis, blindfolded arbiter,

your scales tip with the weight of precedents,

but the sword in your hand rusts unused,

while Nemesis circles the periphery,

her wings fanning the embers of unrest.

The continent, heir to Hellas and Rome,

fumbles its inheritance,

clutching codices instead of fasces,

debating the justice of reprisal

as the legions of the east muster.


In the vineyards of Gaul,

where Bacchus once reveled in abundance,

now the vines are pruned by regulations,

the harvest tallied against emissions,

while the Gauls of old, fierce in their torques,

watch from the shades as their descendants

petition for permission to arm.


In the barracks' backrooms, a sergeant's spouse

hears the neighbour’s nagging counsel: "Fix those teeth,

girl, before he returns from the drill fields—

he won't glance your way with that gap-toothed grin,

all those euros spent on deployments, not dentures."

She pulls a long face, the mirror mocking her,

pills for the pain swallowed in silence,

while the husband patrols phantom borders,

demobbed dreams deferred in domestic decay.


VI


The Baltic whispers of forgotten pacts,

where Teutonic knights once carved frontiers,

now the seas are patrolled by protocols,

vessels idling in harbors of hesitation.

The Vistula carries laments from Warsaw,

echoes of partitions and uprisings,

yet the chancelleries ponder the cost

of fortifying the pale.


O Hyperion, fallen from your chariot,

your light dims over the steppes,

where Titans stir in their slumber,

challenging the Olympian order.

Europe, once the forge of enlightenment,

now tempers its steel with temperance,

quenching the blade in waters of welfare,

while the Cyclopean eye of surveillance

blinks from distant towers.


In the fjords of the north,

where Odin’s ravens once scouted,

now the All-Father’s wisdom is archived

in databases of diplomacy,

and the Valkyries wait unemployed,

as the einherjar debate the ethics

of pre-emptive valour.


In Berlin's bier halls, the armless spectre looms,

disarmed by directives, harmless in hesitation,

the minister's plea echoing in empty echoes:

"We are not aggressors, echt pacific,

stamm' aus Europa, no fangs bared."

The patrons nod, steins clinking in complacency,

while the eastern winds whistle through unwatched walls,

the Vaterland veiled in vulnerability's veil.


VII


The Mediterranean, cradle of myths,

laps at shores eroded by influxes,

waves bearing argosies of aspiration,

yet the harbours are clogged with clauses,

the Argo dismantled for inspections.

Jason’s fleece, once golden quest,

now audited for sustainability,

while the Sirens sing of solidarity,

luring the continent to rocky indecision.


In Rome, the Forum’s ruins murmur

of senates that armed legions swiftly,

now the Capitolini debate definitions,

parsing the lex of liberty

as the Rubicon swells unchecked.


The Iberian winds carry scents of siestas,

where once conquistadors sailed forth,

now the armadas are moored by memos,

the New World forgotten in favor

of nurturing the garden within.


In Milan's moda melee, confusion cascades

like spaghetti strands untangled in turmoil,

designers deliberate on directives: "Is it ethical,

this export of arms amid aperitivos?"

The piazzas pulse with perplexed protests,

gelato melting in the heat of haphazard policies,

while the Colosseum's ghosts chuckle at the chaos,

gladiators replaced by gesticulating bureaucrats.


VIII


O Cassandra, unheeded prophetess,

your warnings echo in committee rooms,

foretelling the fall of unbolted gates,

yet the elders consult their oracles of opinion,

polling the populace on priorities.

The horse, wooden and laden,

stands at the threshold,

its belly gravid with omens,

while the priests of progress

incense the air with ideals.


The Alps, sentinels of sovereignty,

crumble under avalanches of accords,

their peaks pierced by tunnels of trade,

yet the passes remain unguarded,

inviting the Hannibal of the hour.


In the lowlands, where dikes defy the sea,

the engineers of endurance

now fortify against floods of formality,

dying the waters with ink of injunctions.


In the suburbs of scarcity, ordinary penury persists,

a pensioner pores over pantry shelves: "Bread or batteries,

for the blackout drills that never come?"

The landlord laughs, ledger in hand,

evicting echoes of austerity's anthem,

while the welfare web frays at the fringes,

children chalking hopscotch on cracked pavements,

dreams deferred in the dust of daily drudgery.


IX


The chorus assembles in the amphitheatre,

voices fragmented like Attic shards,

intoning the antistrophe of atrophy:

We who wove the web of welfare,

now entangled in its strands,

watch as the spiders of strife approach.


The extreme ones, cloaked in antique robes,

invoke the shades of Sparta’s rigor,

promising the helots’ discipline

to a demos grown soft in symposiums.


Yet no venom in the verse for the wanderers,

only lament for the lost compass,

the polestar obscured by auroras of altruism.


In the apps' anonymous agora,

snippets of strife surface: "Not Ukrainian,

stamm' aus Moldova, echt European,

hung up on handouts, not the headlines of havoc."

The scrollers swipe through shattered stories,

emojis eclipsing the urgency's edge.


X


Europa, polyphonic in your plight,

your cantons and canticles clashing,

seek the lyre of Orpheus to harmonize,

but the strings are frayed by fiscal fingers,

the melody muted by mandates.


The Danube, artery of empires,

pulses with the rhythm of reluctance,

its banks lined with bastions unbuilt,

while the Huns of history rehearse

their nomadic narratives anew.


In Prague, the golem slumbers in clay,

awaiting the word to awaken,

but the rabbis of regulation

debate the incantation’s intent.


In the food banks' fluorescent flicker,

a mother measures milk against mortgages,

the queue curling like question marks:

"What you saving for, if not the siege?"

The volunteer vows, voice veiled in virtue,

pills for the poverty swallowed in shifts.


XI


O Proteus, shape-shifter of seas,

your forms reflect the continent’s flux,

from warrior to warden of the weak,

now morphing midst the maelstrom.


The Pyrenees echo with pastoral pipes,

where Pan once frolicked free,

now the flocks are tallied for tolerances,

the wilderness warded by warrants.


The Volga’s distant roar reminds

of realms unbound by rubrics,

where decisions descend like decrees,

unfettered by forums.


In Lyon's labyrinthine lanes,

uncertainty unfurls like baguettes broken,

chefs conferring in culinary councils:

"Season with sanctions, or savor the status quo?"

The garlic ghosts of gastronomy grieve,

as the menu morphs into manifestos of muddle.


XII


The aurora borealis dances derisively,

illuminating the impotence of intent,

as the northern lights mock the night watch,

unarmed against the auroral assault.


In Helsinki’s halls, the sauna’s steam

clouds the clarity of counsel,

sweating out strategies unexecuted.


The Adriatic sighs with siren songs,

luring the unwary to laxity,

while the Cyclades circle in cycles

of complacency and crisis.


In Naples' noisy neighbourhoods,

confusion clamours like cappuccinos frothed,

vendors venting in volcanic volleys:

"Pizza or patrols, which to prioritize?"

The Vesuvius vapours veil the vista,

erupting echoes of entangled edicts.


XIII


O Mnemosyne, mother of muses,

recall the ruins of ravaged realms,

the post-bellum phoenix that rose

only to roost in regulatory nests.


The continent, cartographer of its own confines,

draws borders blurred by benevolence,

inviting the cartographers of conquest

to redraw with redder ink.


The Elbe elegizes the eras elapsed,

where walls once withered,

now spectres of separation stir.


In Frankfurt's financial fortresses,

armless accountants audit the arsenal,

defenceless in their data-driven daze:

"We are not warriors, stamm' aus spreadsheets,

echt efficient, no edges sharpened."

The stock tickers tease with tranquil trades,

while the Rhine ripples with repressed rage.


XIV


The chorus swells in crescendo,

voices veering from verdure to vigilance,

yet the orchestration falters,

the conductor caught in counterpoint.


Europa, emblem of entanglement,

your bull now burdened by bureaucracy,

charges into the chasm of choice.


The gods, in their geodesic thrones,

gaze upon the geodesic gamble,

as the globe spins toward selection.


In the hostels of hardship, humble hunger hovers,

a migrant mechanic mends meagre machines:

"Oil or olives, for the engine of endurance?"

The foreman frowns, forms in fist,

bureaucracy biting at the bootstraps,

while the workshop whispers of withered wages.


XV


In the end, the elegy evolves,

from lament to the loom of legacy,

weaving the warp of warning

with the weft of will.


Yet the shuttle hesitates,

the pattern perturbed by procrastination,

and the tapestry tears

under the tension of time.


The invaders, inexorable as Iapetus,

advance upon the atlas unarmoured,

while the titans of tolerance

tremble in their towers.


XVI


O Lethe, river of forgetfulness,

your waters wash the wounds of wars,

but the scars surface in surges,

reminding of readiness relinquished.


The continent, convalescent from conflicts,

clings to the clinic of compassion,

neglecting the gymnasium of guard.


Now the physicians of policy

prescribe palliatives for perils,

while the surgeons of severity sharpen scalpels.


In the demobilized domiciles, a veteran's vow:

"Polish those pearls, love, before the parade passes—

he'll scan the skyline, not your smile's shadow."

She sighs, syringe in sight, for the sake of semblance,

teeth treated in the twilight of tenderness deferred.


XVII


The Black Forest broods with Brothers Grimm,

fairy tales of forests forsaken,

where wolves wander unchecked,

and the woodsmen wield writs instead of axes.


In Vienna, the waltz whirls wildly,

steps synchronized to statutes,

twirling toward the tango of turmoil.


The Seine serpentines with sophistication,

banks burdened by books of bylaws,

as the bridges bow under the ballast.


XVIII


O Janus, two-faced sentinel,

your gaze bifurcated between backward benevolence

and forward fortitude,

doors ajar to dilemmas.


The continent contemplates your countenance,

hesitating at the hinge of history,

as the hourglass haemorrhages sand.


The extreme echoes amplify,

resonating in the rotundas of resentment,

promising the purity of purpose.


XIX


Yet in this mosaic of malaise,

no tile tainted by tribalism,

only the grout of governance ground thin,

exposing the expanse to erosion.


Europa, enigma of equity,

your equation unbalanced by externalities,

solve for the sum of survival.


The stars, stoic in their spheres,

align in augury ambiguous,

awaiting the axis of action.


XX


The poem prolongs, as the predicament persists,

verses vaulting over voids,

bridging the breach with balladry.


But the bard bows to the burden,

the ink inexhaustible yet insufficient,

as the continent composes its coda

in the key of quandary.


And the chorus concludes, not with clamour,

but with the quietus of query:

Will the wilted wreath revive,

or yield to the yoke anew?


XXI


In the ether of endless echoes,

fragments float like flotsam from fractured feasts:

"Not Baltic, stamm' aus Balkans, echt entangled,

hung up on histories, not the hybrid horizons."

The digital diaspora dialogues in dialects,

threads unravelling in the twittering twilight.


O Tiresias, blind seer of Thebes,

your prophecies persist in podcasts,

foretelling the fission of fraternity,

while the oracles of opinion polls

oscillate in oblivion's orbit.


XXII


The chorus reconvenes in cyberspace,

avatars assembling in asynchronous agony,

intoning the ode to obsolescence:

We who wired the world with welfare's web,

now snared in signals of surrender,

as the algorithms augur the advance.


Yet the human pulse persists,

in the humdrum of hunger's hearth,

a clerk counting coupons: "Rent or rations,

for the roof over recession's remnants?"

The soup kitchen steams with stories suppressed,

ladles lifting the liquid of lost livelihoods.


XXIII


Europa, eternal in your e conundrum,

your mosaic marred by modern malaise,

piece together the puzzle of purpose,

lest the pieces scatter in the storm's scatter.


The gods, gazing from gamified galaxies,

game the geopolitics with glitchy grace,

as the continent glitches in its gridlock.


And the invaders, insidious as Iris's illusions,

infiltrate the interfaces uninvited,

while the firewalls flicker in futile flares.





XXIV


O Echo, nymph of Narcissus's neglect,

your repetitions resound in resolutions repeated,

fading into the feedback of forgotten fears.


The continent, caught in the cave of complacency,

hears the hollow holler of history's haunt,

yet turns to the mirror of momentary mercy.


In the end, the elegy endures,

a litany lengthening like the line of legacies,

warning woven into the warp of wakefulness.

and the invaders already rehearsing the march upon her slumber 

Tuesday, September 30, 2025

The Burden of Alexandria's Librarian

 

K. Hassan

Papyrus quivers beneath reverent hand,

A lamp spills amber over vaulted stone.

Each line a jewel, sacred to this land,

Yet trembles with a weight no eye has known,

And hums with secrets mortals cannot stand.


Scrolls whisper like ghosts of vanished kings,

Their fibers shiver under careful gaze.

The librarian moves as though he bears all things,

Each breath a prayer to stave the creeping haze,

While sorrow coils in shadows’ hidden rings.


Margins bleed with truths too sharp to speak,

Every symbol carved with trembling care.

The vault itself remembers what is meek,

The weight of secrets none else may bear,

And bends beneath the guardian’s measured streak.


Reflections show a face long left behind,

A son emerges, stranger shaped by fate.

His hand strikes swift, as night consumes the mind,

And breaks the guardian’s heart, the archive’s weight,

Yet grief and love entwine where shadows wind.


Papyrus shatters like gold upon the floor,

The lamp convulses at the sacrilege.

Every scroll moans, each codex cries, roars,

The vault shudders beneath the trembling edge,

And sorrow rises, spilling evermore.


The librarian falls; his blood threads through the page,

A pulse remains where paper meets the hand.

His spirit melds with wisdom of the age,

A living archive no death can strand,

A presence haunting corridors and cage.


The son departs; yet something lingers near,

A tremor in the margins, spectral, cold.

The father’s voice persists in fear and care,

Whispers in ink, in shadows uncontrolled,

Turning each stolen jewel to tears sincere.


Papyrus breathes; the archive wakes anew,

The guardian moves where eyes cannot pursue.

Each secret, sacred, trembles for his due,

A pulse eternal, sorrowed, and true,

Where love and vengeance intertwine and stew.


No hand may claim the weight of what remains,

No son may steal what fuses life with lore.

The vault itself now bears immortal strains,

The guardian eternal, death no more,

A soul enwoven in the papyrus veins.

Wednesday, September 17, 2025

Gelem, Gelem

  

K Hassan

Me gindo, me gindo,                                                                                                                                         so si amaro drom,                                                                                                                                           ratfała jasfa,                                                                                                                                                  katar o them so nashti rove.

(I travelled, I travelled                                                                                                                                   along our road,                                                                                                                                         through tears of blood,                                                                                                                                 from a land where one cannot live.).   From the Romani song:  Gelem, Gelem

                I 

Our story is a journey—a journey that has no name.
No Magi, no saints, no prophets;
We have no books, no angels, no true God.
Yet, plunging past His faint, withered reach,
Our souls—like knives—rend time’s decaying veil.
We cleave through grief, through lovers’ ardent cries,
Through kin-born wails, through song and wine and fire.
Our trail, a fire that courts the stars at night


No stream but blood, this path of untamed joy,
It throbs in camps that flare beneath the moon,
A surge of ash and song, of shared red wine,
Of fervent hearts, of bonds the law denies,
Tales leap unbound, no shrine can chain their spark.

The phuro calls, his voice a drum of old,
It hums of India, of winding roads,
Of hands that weave what kings would guard in vain,
Of fire spun from fingers, song from soul,
Of love that bends the rules of saints and men.

He spins the fox that tempts the wolf to joy,
A chart that seizes earth with kindled flame,
We carve our tales through veins of surging time,
From depths our verse in five-beat thunder soars,
Not for their lords, but night’s untamed embrace.

Papusza’s voice—our people’s heart laid bare,
Her hawks of song trapped in outsider’s ink;
She sang of glades where lovers burn as one,
Where priests and lords may curse and chase in vain,
Yet fate obeys the pulse of nature’s law.

In eastern frost, the Red Star crushed our glow,
It broke our wheels, built cells to cage our dance,
It tore the spark from young throats’ blazing cries;
Yet songs sank low, our tongue a hidden kiss,
Our fire a blade to cleave the shadowed gloom.

No creed—Islam’s shroud, Christ’s bleeding cross,
Nor Hindu loops, nor coin’s cold, glinting chains—
Could quench our thirst; their heavens pale and weak,
Our pulse outlasts their gods and emperors’ holds,
Five iambs thrum where mortal law dissolves.

              II

To live is fire forged in five-beat tides,
Our blaze eclipses gods’ diminished spark;
From clashing hands we shape the chaos bold,
The fiddle cries from wood by starlight kissed,
Sings kin-born peaks in five-beat floods of soul.

The woman’s thread spins dreams through dusk’s dark cloth,
Of rose-lit skin, of wings, of turning wheels;
The man’s forge bends raw iron into grace,
From void to form, our craft defies their gods,
Five iambs surge where heaven’s rules grow faint.

Our gifts still flare though scribes blot out our name;
In Paris’ mist, Django’s torn hands call storms,
His strings—five beats of bliss, of aching grief—
Outrun the fates, their cry holds all our loss,
He bids the stars to dance with our kin’s flame.

In Spain’s fierce heat our blood met Moorish wails,
Flamenco’s howl—no act but soul-born fire;
Palms clap like hearts, heels strike the earth’s deep core,
Strings blaze in five-beat flames of boundless joy,
Our passion, our defiance, gods can’t tame.

Our women’s eyes pierce through the veil of chance;
With cards, with hands, they spark the lost with hope,
They weave hot tales for those in pious chains,
Their craft—a spark, a coin from mind’s deep fire,
Five iambs sing the soul’s forbidden crave.

We share the bread, the wine, the fire’s warm glow,
Yet never dim the heart that loves us true;
We bear the wrath of lawless kings and priests,
Yet Nature judges all, and none can flee,
Five iambs thrum where night obeys the wind.

             III

I seek myself, a child of dusk and blood,
Lost in the glade where night’s fierce joy enfolds;
A wolf’s low growl beats death’s own five-fold tune,
My kinsman shouts, his will a burning blade,
He guards my soul with heart, not steel, in war.

He bears me home where flames dance like old loves,
For days their pulse in five-beat tides resounds;
The violin wails—an arrow through the dark,
Gold threads entwine with ancient, searing charms,
A youth’s bold verse defies the tyrants’ chains.

Two lovers steal a kiss; their spark lights stars,
Village mobs curse, yet fate obeys the road,
They hunt the heart, but boundless love survives,
We sing of wolves, of saves, of truths too vast,
Five iambs clash where fear and lies prevail.

We share the feast with orphaned kin and child,
Yet claim the night, the fire’s unyielding glow;
Our path is free, yet Nature weighs the scales,
For justice flows where mortal laws fall short,
Five iambs hum where gods can never reach.

               IV

I dream beneath the moon of our kin’s red,
Of lands where truth wears not the thief’s false mask,
Where Django’s song threads on, unbroken flame,
Papusza’s voice no exile’s chain, but fire,
Our craft no trifle, but the high-born art.

This realm beyond gods is ours alone,
No map but memory’s five-beat blazing heart;
The fiddle’s sob, the heel’s fierce striking call,
The seer whispers tales that bend the stone,
Five iambs hum where no divine can tread.

We keep a hoard of stars—our lore, our wealth;
Our wheels roll free, our art the rebel’s sign,
We sing, we weave, we bear all life’s sharp edge;
We love, we burn, we pay the fire’s cost,
Five iambs flare to paint the world’s dull frame,
No god can steal the fire we call our own.

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